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"Unto thee, O Lord, do I lift up my soul." The hymn for the first Sunday of Advent, Psalm 24 (25) soars in this setting for double choir. Sustained vocal lines, chain suspensions, and antiphonal writing
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The traditional Latin text Senex puerum portabat explores the mysterious paradox of the Incarnation. As befitting the text, this a cappella motet is at once both ancient and modern in its construct
Edited by Stuart Campbell. For SATB/SATB choir. Long known inaccurately as Vespers, this masterpiece draws on Orthodox chant and the performance tradition of Russian folk music. This edition offers
Interweaving the Polish traditional Bogurodzica, a 14th century plainsong hymn, with extracts of Julian of Norwich's Divine Revelations, this piece was commissioned to celebrate the 20th anniversary of the
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Samuel Scheidt’s eight-part motet Allein nach dir, Herr Jesu Christ survives as an autograph in a composite manuscript in the Stadtbibliothek Braunschweig. However, the original nine part books (eight
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Using "Alleluia" as the sole text, this piece takes the listener on a journey from a fanfare opening to a reflective middle and a triumphant end. Commissioned by the Orpheus Chamber Singers, this
This rousing anthem is a perfect selection for both Easter and Christ the King Sunday. Arranged for a variety of vocal and instrumental combinations, the music leaps off the page in joyous celebration of
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Christopher H. Harris has contributed a bold, rich, and dramatic anthem to the repertoire of SATB choral Christmas music. The arpeggiated piano figures provide both momentum and harmonic support to
The eighth and final movement from Heaven and Earth: A Song of Creation, a unique collaborative work by six different composers active in different repertories of Eastern Orthodox Christian sacred
For double choir and solo violin, taken from the larger work Whispers on the Prairie Wind for orchestra and choir which premiered in 2015 with the subtitle Farewell to My Friend. This is a
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This is a popular devotional song among Arabic-speaking Christians. Opening with a verse in Arabic, the anthem transitions to a call-and-response verse with the men singing in English and the women